NPCC Production Updates
Stage Screen Doors
As many of you know we have been removing our band risers from the stage for our message setting for several years now. This has caused us to have to engineer some fairly ingenious systems for moving set pieces around on our stage in order to remove the risers. We came up with a plan to create an entrance door to move the risers through on a more permanent basis so we don’t have to reinvent the process of removal for every set. Because of circumstances we were able to demo the walls under the stage at the beginning of the summer.
Although establishing the entrance doors was the end goal, we have been using this area for backlighting some set pieces all summer. We used this time to design the doors and get the initial construction of the doors done. We installed the doors as we changed out our fall 2010 set.
These two doors swing using a pipe hinge. Both doors are just over 13′ wide and swing to a 70degree angle creating a lot of space for the risers to roll through. This space has helped to speed up our transitions and make removing the guitar pedals via the guitar sleds a real easy addition to our transitions. We are able to clear our stage of all band gear in less than one minute. These doors have allowed us to further accomplish our desire to have a clear stage for our communicators and the video products that we create.
Design:
For those who are interested, the door was designed to be modular. This is so we can easily remove the sections allowing us the flexibility to use this space to project on set pieces or light set pieces from behind. The whole structure rolls on six wheels. It pivots from two ball bearing pipe hinges mounted on the floor and on the support beam below the screen. The wheels are staggered at a slight angle allowing the door to rotate easily on its arced path.
The wheels are mounted to a footer beam that was constructed by wood, gluing three 2×4x14’s, that had been cut down to 13′4″, together. This creates the base for the entire door. The hinge section of the door consists of a pipe cut to size running vertically between the two ball bearing hinges. The pipe is bolted to four 10″ horizontal 2×4’s via carrier bolts. The hinge section continues across so that the entire section is 41″ wide. This was intentionally done so that all four sections of the door are 41″ wide. This keeps the seams in the door evenly spaced. The other three sections of the door are 2×4 structures constructed individually with framing nails. The four sections are bolted together so that they are easily taken apart. The front of each section is surfaced with a 3/4″ piece of MDF cut to size and screwed to the 2×4 structure. 3/4″ MDF was used because the MDF is smooth enough to match the drywall once painted and thick enough to staple or drill set materials on to it. The whole structure is sured up using a strand of aircraft cable with a turnbuckle running diagonally across the back of the structure. This allows us to pull the top right corner tight into alignment with the bottom left corner. Each section of the wall was then strapped to this cable using corrugated metal straps. The whole structure if unbolted can be removed in five relatively light sections.
Drive 2010 Opener
Drive conference is a time when church leaders, staff, and volunteers come visit us to see how we do what we do. We thought it appropriate to post this video of the opener to say thanks to all of the volunteers that made the conference possible.
North Point Online
Starting on the February 28 Sunday, we will start broadcasting the North Point Online services from North Point. The plan is to broadcast the 11 a.m. East auditorium service live on the internet and then rebroadcast that service again on 6p.m. For those of you that are not familiar with the NP Online services, it’s not just a internet transmission of the service. They’ve built a very interactive experience around the service in order to really target the unchurched and also help facilitate dialogue and online participation. Collide magazine did an article about NPOnline recently. For those that are interested, you can read it here: http://www.collidemagazine.com/article/284/north-point-starts-streaming.
The online services won’t have a huge technical impact on most of our positions on Sunday morning. And, aside from adding a bigger audience to the 11 a.m. service, it will be pretty much business as usual for us as a team. To view the stream see this page: http://www.northpointonline.tv.
Production Game/Movie Night!
Hey Volunteers!
Here are a few details about Thursday:
Because of limited game access, this event is for you and your spouse or a date only. The doors open at 6pm. We will provide pizza for dinner, as well as popcorn and snacks during the games and movie. For the movie, we’ve picked Cloudy with a Chance of Meatballs on Blu-Ray. Reviews say the movie is hilarious even for us adults, and is going to look and sound amazing in the East. The games start at 6pm in the West, and we will start playing the movie in the East at 7:30pm. We will have Mario Cart for the Wii going on each Side Screen, and Rock Band on the HD Screen running through the West PA! It’s time to get your rock on!
See you on Thursday!
December 20 Opener
How to describe Christmas Service this year? I’m not sure I can but to say the NP production team knocked it out of the park! To all the volunteers who extended above and beyond with their time, talents and attitudes - THANK YOU!! The video clip of our opening song is just one shining example of how amazing you guys are!
For those who missed it, the Christmas service opener this year combined all 4 stages (@ 3 different campuses) playing together live as they traded verses from “12 Days of Christmas.” It was awesome. North Point East started with a 12 person choir singing a cappella. They were soon interrupted by Buckhead sporting Reliant K’s rock version of the tune. When Browns Bridge & North Point West followed suit shortly after, North Point East was able to maintain their enthusiastic foothold on “Five Golden Rings!” Technically the feat was pretty straight forward. Each auditorium cut their own cameras, added their own bug and delivered the feed to a multi-campus switcher that cut between each room. For audio, each venue mixed between their own band and a direct, stereo, mix minus coming from the each of the other locations. The bigger challenge was coordinating people, gear & information. Just for fun, here’s some multi-campus stats on the overall production:
(46) Video Positions
(16) Audio Positions
(14) Lighting & Stage Positions
(840) Production volunteer man hours
(23) Cameras
(4) Multi-Bus Switchers
(222) Audio Console Channels
(30) In-Ear Mixes
(500+) Lighting Cues
(75) pounds of snow confetti
(8) Fiber based SDI circuits with negligible delay (42ms)
(64) cross-campus, embedded audio channels
& (1) Master Click Track…IN A PEAR TREE!!
Enjoy…
